Readers familiar with music theory, riddim, or any other aspect of music deeper than a four-chord pop song may already be itching to leap into the comments to explain of course it does, that any bouncy predictable track can back any lines hitherto laid over any other bouncy predictable track.
But just as there is a weird power in Thomas the Tank Engine, there is an uncanny magic to Mike O’ Donnell and Junior Campbell’s theme.
Previously: Biggie Smalls the Tank Engine.