The always-engaging George Pendle (Strange Angel, The Remarkable Millard Fillmore) has a fascinating piece on Atlas Obscura on the history of space art and NASA's (and the government's at large) current awkward relationship with the art world.
Yet when the NASA scientists asked the attendant artists to refrain from posting pictures of the meeting on social media, it seemed to sum up both a generational and a temperamental mismatch. (In an email, a NASA spokesperson said that "participating artists are free to discuss their attendance.")
From a NASA perspective, the secrecy was a budgetary imperative. In 2003, the renowned performance artist Laurie Anderson was appointed NASA’s first “artist-in-residence” with the remit of creating art about the agency’s exploration of space. Republican congressmen quickly seized on the move as a sign of wanton profligacy. “Mr. Chairman,” sputtered Representative Chris Chocola of Indiana on the floor of Congress, “nowhere in NASA's mission does it say anything about advancing fine arts or hiring a performance artist.” There has been no artist-in-residence since and the reverberations were no doubt part of the reason why NASA’s workshop at Grace Farms seemed tentative and vague.
In the not-so-distant past, though, space and art intermingled happily. Artists were crucial to NASA’s development, at times outpacing the science of space travel itself. What happened?
The above illustration is NASA concept art of a moon landing, from 1959.
