Pop Colorture hand-colorized 1,300 frames of The Munsters title sequence, turning the grimly fiendish and funny family into the full color characters that were originally black-and-white only due to budgetary reasons. From Pop Colorture:
As I learned from (Addams Family colorizer) Stuart Manning’s blog post, early color television programs often chose yellow in place of white to add an extra pop of color, while still registering as a white object on black and white sets. The dress that we see Marilyn wearing in the Munsters opening was white, and this can be seen in a few color promo photos featuring the first actress to play Marilyn, Beverley Owen. Yellow seemed like the natural choice for several reasons. It adds necessary color to the shot and I have no doubt that the wardrobe department would have chosen something similar, had it been shot in color. Yellow also fits with the grayscale values of the dress, so it looks very natural. Had I tried to color the dress red, green or any other color, it would not “stick” to the gray values as easily and would not look very good. My final reasoning in choosing yellow was because recent Munsters memorabilia items feature the character of Marilyn wearing a yellow dress that looks similar to the one seen in the opening. Although it has nothing to do with the show’s original creative team, I feel that it supports my choice. The second artistic decision I made was the color of The Munsters’ drippy, melted wax logo and title cards. In the pilot, the text was a minty blue, almost the color of Herman’s skin. I felt that the color just did not look right when placed over the colorful house and characters. I decided to use a bright green color with a shade of yellow. This color was used in the main title card for Munster, Go Home! and I felt that it gives a nice contrast of color while keeping the palette organic to the show.
Choosing the colors for the other characters was fairly simple because I know these characters better than I know some people in real life.