Caitlin Flanagan has written the funniest and most incisive glimpse into what it's like for today's road hacks whose livelihoods depend on navigating the treacherous waters of the college comedy circuit.
Flanagan attended the National Association for Campus Activities convention, where every student group touted their school's diversity:
But the students’ taste in entertainment was uniform. They liked their slam poets to deliver the goods in tones of the highest seriousness and on subjects of lunar bleakness; they favored musicians who could turn out covers with cheerful precision; and they wanted comedy that was 100 percent risk-free, comedy that could not trigger or upset or mildly trouble a single student. They wanted comedy so thoroughly scrubbed of barb and aggression that if the most hypersensitive weirdo on campus mistakenly wandered into a performance, the words he would hear would fall on him like a soft rain, producing a gentle chuckle and encouraging him to toddle back to his dorm, tuck himself in, and commence a dreamless sleep—not text Mom and Dad that some monster had upset him with a joke.
• That’s Not Funny! (The Atlantic)
