Hello! Exploring the Superweird world of Hello Kitty
Mark Frauenfelder
Last weekend I went with my wife and two daughters to the Hello! Exploring the Supercute World of Hello Kitty exhibition at the Japanese American National Museum in Los Angeles. It’s described as a “retrospective product-based, historical, and sociological examination of the Hello Kitty phenomenon with an art exhibition emphasizing her influence on contemporary art.” It was outstanding. I took a bunch of photos. The photo above is a Hello Kitty germ mask.
Sanrio was founded in 1960 as the Yamanashi Silk Center Company. As the name suggests, it dealt in silk fabric. Along the way, they produced a rubber beach sandal. They learned that when they added a decorative element such as a flower or strawberry, people liked the sandals more. That’s when the company stopped dealing in silk and focused on “decorated everyday objects.” The coin=purse above was made in 1974 and marks the first appearance of Hello Kitty. At this time she did not have a name or back story. (Some people have pointed out that Hello Kitty resembles Ray Goosen’s Musti (1945) and Dick Bruna’s Miffy (1955).)
Hello Kitty is a cheerful and happy little girl with a heart of gold. She lives in London with her mama (Mary White), papa (George White), and her twin sister Mimmy. — SanrioTown
These are miniature items. I wish I could have held my hand next to them to give you an idea of how tiny they are, but it was behind glass.
Hello Kitty motor oil!
There was a wall of images showing how Hello Kitty’s design has changed over the years. My wife, daughters, and I picked our favorite and least favorite designs. This one without an outline was my favorite, but my wife and daughters thought it was a low point in Hello Kitty design.
The museum commissioned artists to create Hello Kitty themed works of art.