“Images in charity shops are like orphans,” Stezaker told the British Journal of Photography. “They’ve lost their context or culture, they’ve gone a little bit out of date. They’ve been neglected and overlooked for years and people have passed them by, then suddenly here I am, the alternative foster home, but unfortunately I then inflict terrible abuse down in the basement where I cut them up.”
“Two Faces, One Portrait” (Smithsonian)