Neil Emmett writes about fake computer graphics, as so often found in 1980s sci-fi movies and TV productions that were as inexpensive as they were ahead of their time.
Primitive digital imagery has had something of a resurgence across the past decade or so, to the point where pastiches of 8-bit pixel graphics have found their way into mainstream productions such as Wreck-It Ralph. Perhaps it is time that the animators and digital artists of today rediscovered the lesser-known cousin of this aesthetic: the strange world of pseudo-CGI.
