My Make column “Memento Mori” talks about the giddy, delightful vertigo I experience when I realize how fast and how far technology has come, and how fast it’s moving:
I’m often puzzled by how satisfying older technology is. What a treat it is to muscle around an ancient teletype, feeding it new-old paper-tape or rolls of industrial paper with the weight of a bygone era. What pleasure I take from the length of piano roll I’ve hung like a banner from a high place in every office I’ve had since 2000.
How much satisfaction I derive from the racing works of the 1965 mechanical watch I received as a Father’s Day present this year, audible in rare moments of ambient silence or when my hand strays near my ear, going tick-tick-tick-tick like the pattering heart of a pet mouse held loosely in my hand.
The standard explanation for the attractiveness of this old stuff is simply that They Made It Better In The Old Days. But this isn’t necessarily or even usually true. Some of my favorite old technologies are as poorly made as today’s throwaway products from China’s Pearl River Delta sweatshops.
Take that piano roll, for example: a flimsy entertainment, hardly made to be appreciated as an artifact in itself. And those rattling machine-gun teletypes and caterpillar-feed printers — they have all the elegance of a plastic cap gun that falls apart after the first roll of caps has run through it.
