Mark Dery is guest blogger du jour until August 17. He is the author of Culture Jamming, Flame Wars, Escape Velocity, and The Pyrotechnic Insanitarium. He’s at work on The Pathological Sublime, a philosophical investigation into the paradox of horrible beauty and the politics of “just looking.”
Worshippers of Morbid Anatomy: Just as I’m warming to my task, my time on the Boing Boing marquee is over. I’d hoped to squeeze in posts about the pornographic rapture of Bernini’s Ecstasy of Saint Theresa (don’t you love the sweetly sadistic smile playing at the corner of the cherub’s lips as he hovers, poised to plunge the golden spear of holy desire into Theresa’s “very entrails,” leaving her “all on fire with a great love of God,” moaning with the “surpassing… sweetness of this excessive pain”?) and about the hallucinogenically beautiful sculptures in the Borghese Gallery, carved from seemingly infinite varieties of marble: snow-white Carrara, perfect for modeling the soft swell of a breast, the curve of a flank, a chin-dimple; busts of cardinals made of pink marble mottled with white blobs, giving their heads the appearance of being sculpted out of, er, headcheese; marble the color of blood sausage, marble the color of raw salmon, marble green as mint jelly, purple as eggplant, marble flickering with blue and gray veins, Pentelic marble, Parian marble, and let’s not forget Phrygian marble, a psychedelic rock that the Victorian writer Henry Hull described as “one of the most curious, as well as handsome varieties of marble with which I am acquainted,” a mineral delirium of “banded layers of silicious limestone of various shades of green, verging on blue or gray, alternating with others of a pure white…contorted, waved, or foliated in a remarkable manner…”
If I’d had time, I would have walked you through the Museum of Pathological Anatomy in Florence and the taxidermic Eden of the Museum of Zoology in Bologna, its wall-eyed creatures leaking stuffing, unloved by anyone except the occasional devotee of what the postmodern theorist Steve Baker calls “botched taxidermy.” Did I mention the bizarre, Ed Gein-ian anatomical preparations of the 18th century naturalist Girolamo Segato, in the anatomy museum at the Ospedale Carregi in Florence? (A “maker” after Boing Boing’s heart, he crafted a handsome table, inset with what looked like polished stones but were, in fact, human organs, preserved, cut into geometric shapes, and fitted into a colorful mosaic. When Segato proudly presented a local noble with the results of his handiwork, the squicked-out noble declined.) And then there’s the incomparable museum of teratology and pathology, just a building away in the same hospital, with its mind-altering waxes of skin diseases and its wet specimens of congenital deformities, a Boschian garden of unearthly (yet all too human) things, unforgettable, almost indescribable. And then there’s the Museum of Veterinary Pathology and the Ercole Lelli waxes in the Palazzo Poggi, both in Bologna, and…and…
Happily, I’ll be blogging about all these things at Shovelware, so if my posts over the past two weeks have whetted your interest in the Pathological Sublime, do drop by. Blogging for Boing Boing has been thrilling, if exhausting. As I said in my opening post, the collective intelligence of Boing Boing’s hive mind is among the smartest readerships anywhere. Of course, every wise crowd has at least one troll-tastic Master of His Own Domain, the all-knowing and tirelessly punctilious offspring of George Costanza and Felix Unger. Nonetheless, I’m immensely grateful to those of you who took the time to offer constructive critiques, suggest alternate angles of attack on my subjects, or point me toward stones left unturned in my research. To you I can only say: mille grazie—and then some.
IMAGES (from top to bottom): Sculpture of head with tumors, Museum of Teratological and Pathological Anatomy, Florence; Botched taxidermy, Museum of Zoology, Bologna; Wax model of hydrocephalic child, Museum of Teratological and Pathological Anatomy, Florence; Postcard from Reliquia di San Valentino, Basilica di Santa Maria in Cosmedin, Rome.