This book review in the New York Times by magician Teller really makes me want to read Peter Lamont's The Rise Of The Indian Rope Trick: How A Spectacular Hoax Became History.
In 1890 The Chicago Tribune was competing in a cutthroat newspaper market by publishing sensational fiction as fact. The Rope Trick — as Lamont's detective work reveals — was one of those fictions. The trick made its debut on Aug. 8, 1890, on the front page of The Tribune's second section. An anonymous, illustrated article told of two Yale graduates, an artist and a photographer, on a visit to India. They saw a street fakir, who took out a ball of gray twine, held the loose end in his teeth and tossed the ball upwards where it unrolled until the other end was out of sight. A small boy, "about 6 years old," then climbed the twine and, when he was 30 or 40 feet in the air, vanished. The artist made a sketch of the event. The photographer took snapshots. When the photos were developed, they showed no twine, no boy, just the fakir sitting on the ground. "Mr. Fakir had simply hypnotized the entire crowd, but he couldn't hypnotize the camera," the writer concluded.The story's genius is that it allows a reader to wallow in Oriental mystery while maintaining the pose of modernity. Hypnotism was to the Victorians what energy is to the New Age: a catchall explanation for crackpot beliefs. By describing a thrilling, romantic, gravity-defying miracle, then discrediting it as the result of hypnotism — something equally cryptic, but with a Western, scientific ring — The Tribune allowed its readers to have their mystery and debunk it, too.
Link (Thanks, Loren Coleman!)
