Benjamin Rosenbaum, the talented science fiction writer responsible for “The Ant King: A California Fairy Tale,” is doing a monthly series of vignettes describing fantastic stories on StrangeHorizons, an online sf magazine. Wonderful stuff.
The Censors’ Building is in an olive grove gone wild (olive oil is no longer among the principal products of Bellur), and during their afternoon break and their evening break the censors wander the groves, picking and nibbling on the bitter olives, searching for inspiration. Censorship in Bellur is an art, it is the Queen of the Arts. Other cities celebrate their poets or sculptors, offer the world their playwrights and clowns; Bellur, its censors. The censors of Bellur can censor the twentieth part of the thickness of one serif of the letter h in 10-point Garamond type, and alter the meaning of a poem entirely; they can censor four thousand pages of a four thousand and fifty page novel, and leave its meaning intact. But this is not the extent of their art; these are mere parlor tricks, mere editorishness. Censorship is a dance with history; by censoring the right word at the right historical moment, the gifted censor can unleash or throttle a revolution.